21 Quick Tips: How to Write a Blog for Your Business

Do you want to improve how you write a blog for business?

Here are 21 tips on how to write a blog for your business blog in a step by step way. Below the how to write a blog for business graphic is a few tips on each step to help you get more clicks, more traffic and build your brand community.

21 Tips On How To Write a Blog For Your Business

My father always used to lecture me of getting the foundations right, getting the research or work done so you know what your doing. As a teenager whilst that was good advice I often ignored it and learnt the hard way (luckily no serious damage was done only some minor accidents e.g. a tree house that fell down with friends and me in it), that this approach did make sense despite my impulse to just jump in and do it.

If you want to learn how to write a blog then you need to understand your customers and write content that they are going to find useful and engaging. Do your homework and you will get more traffic, more click and more leads. But it does take time to get it right and for it to be on target with your customers. You need to prepared to make mistakes and learn from them. Here are 21 tips to help you write a blog for your business blog and get better results.

1 Targeting Your Customers

When you are learning how to write a blog you can easily spread yourself too thin and you will not get the results you are looking for – staying focused is critical.

• Key action – write down who you key target customer is just one e.g. if BtoB: size of business, number of people, turnover, their sectors, greaography…
• narrow down your marketing to niche market/market segments – think long tail here
• Use marketing personas to build out who you are targeting and give them a personality.
• Use any data you have to support your marketing persona e.g. age, demographic data.
• Check with others in the business e.g. sales, customer service – that the persona(s) are right.

2 Find Them Online

Understand where your customers spend time online and you will be able to listen to them and connect in the right places.

• Key action – Write a list of the channels/forums/communities they use e.g. key Linkedin groups
• Look at the demographics e.g. Pew Interest, but then dive deeper…
• Play detective – here is a great article by Jay Baer

3 Social Media Listening

Set a budget for the tools – whilst some are free, the better ones do cost but are worth the investment.

• Key action – choose 1-2 tools and get to know them really well. Budget for them.
• Here are a few social media listening tools
• For a deeper dive into social media listening and monitoring – here is a comparison of the main tools

4 Understand Their Problems

When you are trying to master how to write a blog always put your self in the shoes of your customers. Listen to their problems – what information are they searching for, what service problems do they have, is their misunderstanding about a product or service, do they have wishlists…

• Key action – Write a list of the most common problems, gaps in information and issues
• Prioritise your list

5 Identify How You Can Help Them

This is where you need to be realistic and match what you and your business are good at to their problems.

• Key Action – With the list of problems highlight the ones you are confident that you can write about and fit to your business.
• Draft a list of ideas around each problem – this will be used later

6 Review The Competition

Take into account what your competition are blogging about, what topics tehy are focusing on

Key actions

• Identify their key topics e.g. categories on their blog page
• See what posts have been popular and assess why
• Identify how you can be different / better than them
• Don’t be a copy cat

7 Identify How You Can Help Them

What do you stand for and why should people follow your – what is the core message that will attract and be relevant to your audience.

Key Actions

• Develop an easy strap line that helps people understand what your about
• Build your message into your blogs and communications

8 Set Your Goals, Objectives and Metrics

This is the critical part. If you are going to invest in blogging set your self some clear goals for the results. What do you want to achieve (be realistic) and what business benefit will it deliver e.g. 5 leads per week.
Key Actions

• Use SMART objectives (specific, measurable, achievable, realistic and timed)
• Be sure you can measure them
• Produce a spreadsheet and plan out your targets by week/month and then your results

9 Develop Your Strategy and Tactics

Plan in the strategy that is going to work for you – how your blog content fits to your overall marketing plan and communications mix.

Key actions

• What are the key resources and actions needed to achieve your goals?
• What are the daily/weekly tasks you are going to schedule?

10 Build Your Blog

A good blog needs a good home. Invest in a WordPress blog that is going to fit to your brand and be easy for people to engage with.
Key actions

• Make sure you choose a responsive theme – the rise of the mobile consumer is here see these stats
• Build in the styles and design features that can help your blog stand out
• Blogs are increasing becoming more visual so add in the styling that will help you produce a good visual layout – think more magazine than blog

11 Build Out Marketing Functionality

Your blog needs to be able to turn traffic into buying customers and to do that you need to have the right marketing functionality. Looking good is not enough.
Key actions

• Build in your key conversion points and methods to convert customers
• Add in tracking e.g. goals so you can measure performance

12 Link Your Social and Email

Key actions:

• Hook up your blog with your social networks so that people can easily share your content.
• Also build in your email subscriptions to build your email list.

13 Develop Your Editorial Calendar

This is probably on of the most important steps. An editorial calendar will help stay focused and give you a good schedule to work to. It is even more important if you have more than 1 person in your business blogging.
Key actions

• Be realistic and don’t forget to add in the other content that you are producing
• Balance out your categories to make it more varied and interesting for your audience

14 Research Your Keywords and Phrases

Key actions

• Do you keyword research and focus on the long tail keywords and phrases for your niche
• Optimise your on page SEO as well for each post e.g. use Yoasts WordPress SEO plugin

15 Develop Your Killer Headlines

Your titles make the difference between a click and no-click a share and just a read. Spend time coming up with awessome titles.
Key actions

Key Actions

• Think like a magazine editor here
• Download our content marketing guide and use our list of formulas for killer headlines

16 Write Your Blog and Format

Write your blogs and rewrite them. Find your own personal voice and practice – it takes to to develop a writing style that is right for you. Write as if you are talking to your marketing persona and helping them.
Key actions

• Don’t be afraid – everyone goes through times of uncertainty and doubt when writing. It can be hard but bit by bit you will improve
• Remember there is only one you and that is unique and special use it to to your advantage and intertwine the personal and business
• End each post with a call to action or ask for people’s opinions

17 Publish To Your Social Networks

You have to promote your blog and ensure it is found.
Key actions

• Publish to your main social networks and invite comments and feedback

18 Respond To Comments

Comments are the gold of blogging and so actively invite comments and always respond promptly to them

• Use a good commenting system such as Disqus
• Respond and be helpful, never rude. Remove any spam to keep you blog clean

19 Track Your Performance

With each blog post you move one step closer to achieving your goals. Track your metrics and review regularly.

20 Rinse and Repeat – Improve

Some blog posts will do well whilst others may not achieve the results you had hoped for. Learn from your spikes and dips and continually refine your editorial calendar to improve titles, content and how you reach and attract your audience. Importantly make sure you are turning your blog into tangible business results.

21 Don’t Forget To Enjoy It and Be Creative

This may seem obvious but have fun, enjoy it and if you are passionate about helping people and equally enthusiastic about your business your blog will do well. Experiment by adding in different media and help to make your business human. Your customers will appreciate being part of your tribe.

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5 Key Lessons for Authors and Self-Publishers from Neil Gaiman

Neil Gaiman (source: Wikipedia)

Neil Gaiman, one of the world’s most beloved authors, gave the keynote speech at last week’sDigital Minds Conference and although his audience was primarily made up of book industry executives, his talk was just as relevant to authors and self-publishers. If you haven’t seen it already, the full presentation is now online and well worth watching.

For me, there were five key lessons to draw from Gaiman’s talk and I have taken the liberty of both paraphrasing him and, in some cases, expanding upon his ideas.

1. Be nice

Gaiman recalled a time when he was sharing a signing with a big-ticket crime author, back before he found himself on the bestseller lists. Incredibly Famous Author, who remains anonymous for the duration of the anecdote, made a scene when presented with an ex-library book on the basis that he ‘got nothing for it’. In response several people in Famous Author’s queue defected, buying copies of Gaiman’s book and waiting in line for him to sign it.

All authors, and especially self-published authors, should bear this in mind at all times. It only takes one example of obnoxiousness for someone to change their mind about buying your book and, on the internet, such examples can travel widely. Instead, give people something to love, give them something to remember and to treasure. Give them an opportunity to take a chance on you; don’t give them a reason to change their minds.

2. Readers discover authors they love, they don’t buy them

People find their favourite authors through word of mouth, not by going into a bookshop and buying a book. They are introduced to their favourite authors by being given or loaned the book by a friend, or by borrowing it from a library. Said Gaiman:

“We don’t normally find the people we love most by buying them. We encounter them, we discover that we love them, which is why I decided early on I was never going to go to war [on piracy], I was just going to encourage, I was going to go for word of mouth.”

3. What is valuable is what is unique

The publishing is in the business of producing lots of things that are identical, ie copies of books. But people buy things because they are unique, because they remind us of an experience, because they have some emotional impact on us. We need to appeal to people by producing beautiful objects. We need to festishise books and give people a reason to buy them.

4. Make yourself heard

We live in a world of abundance now. The days of scarcity, where it was hard to find things, are over. The question is how do we make ourselves heard? How do we find the signal in the noise? And how do we make ourselves heard? A world in which there’s too much information means we no longer rely on gatekeepers but on guides and on word of mouth. That means you have to get out there, you have to be a part of your community, and you have to be the signal, not the noise.

5. Be lucky, be a dandelion, try stuff

For me, this was the most important part of Gaiman’s talk and it starts about 15 minutes in. Mammals, he reminds us, have a small number of offspring and nurture them, pouring all their energy and resources into helping them grow up. Dandelions, on the other hand, produce many, many seeds, the majority of which will never germinate, but — and it’s an important but — some will.

We should, he says, throw our seeds to the wind and see what works. Not everything will pan out the way we hoped, and he gives some good examples of failure, but enough will succeed. It’s important to remember, however, that just because something works well once for someone else does not mean that the same thing will work for you. Sometimes it won’t even work again when the same person does it. Gaiman’s model, he tells us, is this:

“Try everything, make mistakes, surprise ourselves, try anything else, fail, fail better, succeed in ways we would never have imagined a year ago or a week ago.”

Too many authors and self-publishers are looking for the One True Path To Success, but that path doesn’t exist. Tactics that seem to work for one author fail for many others (although we’ll never know how many as no one counts the failures). And strategies that worked once upon a time no longer do. So we have to be inventive, try things out, not get disheartened when we fail, and just keep on being creative, no matter what.

There are more opportunities out there now than we can count, more chances to throw our dandelion seeds to the winds than ever before. There has never been a more exciting time to be a writer than now.

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Secrets of successful self-publishing

A one-day workshop aimed at anyone who wants to learn how to be successful at self-publishing

Date and times: Sunday 9 June 2013, 10am-5pm

Overview

In this dynamic seminar, you will learn the secrets of how to successfully self-publish your book including: how to ensure your book is the best it can be, how to evaluate and choose service providers, what you should do yourself and when to use professionals, how to maximize your chances of selling your book once it is published, and how to avoid expensive mistakes.

Course content

• How self-publishing, and independent authors, fit into the current publishing eco-system
• Prerequisites of successful self-publishing
• How to self-publish ebooks & sell them online, including formatting, major book distribution sites and pricing
• How to self-publish in print, using print on demand or small print runs
• How to evaluate self-publishing services and how to avoid the most expensive mistakes
• The business side of self-publishing including timelines, budgets, the entrepreneurial mindset and psychological aspects
• Top tips on marketing your self-published book

Tutor profile

Joanna Penn is the independent author of ARKANE thrillers, Pentecost, Prophecy and Exodus, as well as the non-fiction book, Career Change. Joanna’s site for writers www.TheCreativePenn.com has been voted one of the Top 10 blogs for writers and self-publishers and offers articles, audio and video on writing, publishing and book marketing. Joanna is also an Advisor to the Alliance of Independent Authors and a professional speaker. Connect with Joanna on twitter @thecreativepenn

To book

Go here.

Details

Date: Sunday 9 June 2013
Times: 10am-5pm
Location: The Guardian, 90 York Way, King’s Cross, London N1 9GU
Price: £150 (includes VAT, booking fee, lunch and refreshments)
Event capacity: 30

To contact us, click here. Terms and conditions can be found here.

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Which Publishers Are the Best at Selling Ebooks in 2013?

Everyone knows that The Hunger Games was a huge hit in 2011 and 2012 and that the next movie based on the series, Catching Fire, comes out soon, but who knows which publisher has been the beneficiary of such success?

Everyone knows self-publishing is growing by leaps and bounds, but who can say how well self-published authors in aggregate are doing against the big publishing houses?

To answer these questions, we at Digital Book World created Ebook Publisher Power Rankings to rank how well each publisher is doing at ebook sales. The methodology is simple: look at the 13 weekly top-25 ebook best-seller listsfrom the first quarter of 2013 and count how many times each publisher had a title that appeared on the list.

Here are the top-five publishers so far in 2013:

1. Hachette: 88 appearances
2. Random House: 87 appearances
3. Penguin: 42 appearances
4. Self-published: 22 appearances
5. Macmillan: 18 appearances

See the rest of the list.

Three things we learned:

1. Self-published books are making more waves this year than ever before. Some 7% of all weekly best-sellers were self-published in the first quarter of 2013 and two No. 1 best-sellers in that time. In the weeks since, there have already been two more No. 1 best-selling self-published ebooks.

2. Penguin Random House will dominate the best-seller list when the merger between the two large publishers closes in the second half of 2013. Between the two of them, they published 40% of the best-sellers in the first quarter of 2013.

3. Harlequin has begun to figure out how to find mass-market success with ebooks. Harlequin has not benefited from the rise of ebooks despite the huge popularity of romance ebooks. The largest publisher of romance titles has seen more of its paperback business disappear than it has been able to replace with a rise in ebook sales so far. But in the first quarter of 2013, Harlequin had a handful of hits on the best-seller list, indicating that it might be turning its digital performance around.

Read more.

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See Also:

• Ebook Publishing Software
• Online eBook Library
• Easy ePublishing
• Publishing a Book
• Online Publishing Jobs
• 10 Best Audio Books
• Steps How to Self-Published a book
• Inspirational Books
• Best eBook Readers

 

Tips on Writing a Book

Unsure how to go about writing your book? Here are some tips:

When writing a book, there is no rule of thumb on the number of pages or its chapter length, regardless of genre. However, there are some important things that you need to keep in mind when determining your book’s chapter length and page count.

PAGES

Consider the reader’s attention span. There are readers, many of them, who read ‘on the go’ – it could be on their way to work or while having lunch. They are those who enjoy chapters that they can finish within ten or fifteen minutes.

Setting your chapter length may depend on the amount of time it takes to finish reading the material. For example, if it is more than fifteen minutes, you might want to split your chapters into two. This should work well when writing a non-fiction book.

Keep in mind that writing a fiction and non-fiction book is entirely different. Fiction book writing requires the use of shorter chapters, some only a page, if only to immerse the reader into the story. On the other hand, writing a non-fiction book requires a more detailed content, specific to your chapter title or heading.

While it is good to set your chapter pages to twenty, perhaps the most important thing that you need to consider is to incorporate everything relating to a specific topic in a chapter, so as to sum it all up without the shilly-shally. For instance, if you are writing a book about makeup, include all there is you need to write about eye makeup. Tips on applying cheek blush should be in another chapter.

 

CHAPTERS

There is actually no given rule when setting the chapter length of your book. However, for your work to be considered a book instead of a booklet, your word count should be at least 10,000. In addition, you can create two volumes if your book has over 450 pages.

Submission of manuscript is usually done in a word-processing format, so a 300 word count can fit approximately one page of a 12-point font text, standard size, perfect-bound book. However, you cannot be completely certain of the final length of your book until your publisher will have formatted it for printing.

If you are interested in publishing a book, get this FREE publishing guide and start your journey to publication.

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Publishing Schedule Planning

(from the Nationaal Archief. Yes, our early schedule drafts may indeed be just as incomprehensible as this one is. What, you’re surprised?)

We finalize our publishing schedules over a year out.

What does that mean?

That means today, as I’m sitting at my desk, we’re assigning final publication dates in our schedule for our spring 2014 season — May, June, July, and August 2014.  (And actually, I’m writing this post on April 17th, so ‘today’ is actually ‘a week ago.’  We’re planning even further out than you thought!  It’s like a mind-vortex.)  And when I say ‘assigning final publication dates,’ I don’t mean seasons or months — I mean actual week-by-week dates on the calendar for every single book in that spring 2014 season.  We’ve been working on this version of the schedule for two or three weeks now; the dates will be final tomorrow morning.

So at this point, we have to be sure that these books are all definitely making these lists — that most if not all of the final art is finished if not turned in, the books have gone through our editorial process, we’re working on starting the conversation about cover design and figuring out the actual book design; I think at least one of these titles has already been completely laid out.

So we’re not sitting here, over a year out from the publication date, and saying, ‘well, we can publish BOOK X on June 17th, 2014, if the art is in by May 1st, 2014.  And we definitely-probably know that’s going to happen.’  We’ve got a final list of the books we’re publishing for spring 2014 with most of our materials in and we’re in the process of designing books out of them right now.

Rather than making our month-by-month or week-by-week scheduling decisions on the materials due-dates, we make them based on opportunities.  What does that mean?  Well –

Is a certain book a strong candidate for an extensive author school visit schedule?  We’ll want to publish it in the winter or in early fall so that the author can go talk to students in the classroom. If we’re publishing it in spring, it should go in the first possible release date.

Does a book’s author have a strong relationship with a convention?  We’ll plan to publish the book in time for it to debut at the show.

Are we publishing a book for the same age/audience/media outlets on that same day?  Maybe we should move this book to another month so we don’t have to make booksellers or media or consumers chose between two great books of ours to feature.

Are we publishing five other books on the same day?  Maybe we shouldn’t do that, so we’re able to give each book its time in the spotlight.

Does the book have a seasonal hook?  Is it about love (Valentine’s Day) or summer (summer books come out in early spring) or school (September)?  We should put it in a month where stores and media will be able to best feature it.

Once we’ve performed this tightrope balancing act with our whole season of books, it’s pretty difficult for us to change our publication dates.  Our schedules are like those mobiles that are all hanging interdependent pieces — if you move BOOK R out of May to July at the last minute, what can we switch to fill its place so that we’re not accidentally publishing four books in July and only one in May?  And will BOOK J that we’re moving up now miss out on the opportunities that we were planning on for its July publication?

Why do we work this far in advance?  Well, one of the reasons is that we like being prepared.  (No, really).

We also work with a number of distributors and stores and schools and libraries who we want to be able to give accurate early information to when they need it so they can best sell and promote our books and nominate them for awards — in some cases, this can be as far as eight to twelve months before a book’s publication date.  We also print our color books in China, and we’ve got an extensive proofing process for all of our books (at least three rounds of proofs and one set of blues) after we send them to the printer, so the shipping and the proofing both take up a great deal of time.

In short: we want the books to be the best possible books, and we want to create a publishing schedule for them so they hit the time of the best opportunity for them to make a splash in the marketplace.

So we take a long view of things.

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How to Start Off NaNoWriMo? Some Writing Advice From Snoopy

Hail and well met, NaNoers!  November has started at last.  I’d give you my word count, but alas, this post is pre-written and scheduled to post at 12:01 A.M. CST on November 1st.  By the time this posts, however, I’ll have been in November for five hours already!

To start off NaNoWriMo well, I figured I’d give you something to lift your hearts and bolster your first writing surge of the month.  Presenting…writing advice from Snoopy!

How do you start a novel?  Drag in your heavy, romantic briefcase and get out your typewriters.  Snoopy lets us know how real page-turners start: with the mystery of a fantastic beginning sentence.

Next, he lets us know that real writing is hard work.  And to get to 50,000 words by the end of the month, it’s going to take a LOT of hard work.  But we can get through it!

Also, Snoopy says, when presenting the beginning of your incredible work-in-progress to editors, make sure and be open to advice.  An open mind is always a good thing, so take the advice and make your story better.

In this one, Snoopy shows us how to write brilliant description: the strength is in the little details!

We all need editing, and Snoopy is no exception.  Edit as you go, but don’t get so caught up in the editing that you stop writing the story!

Snoopy also lets us in on the secret to emotional scenes.  Dialogue is key!

In the next few sections, Snoopy tells us how to react to critique after the story is finished, and what to do when you send in your story to the publishers.

Well, there you have it…the complete guide to writing your NaNoWriMo novel.  (Many thanks to Snoopy for offering to make a guest appearance on my blog.)

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How to use Pinterest to promote your book

You’ve heard of it. You’ve looked at it. You may have even played with it and thrown around the term “repin” with your close friends. You know it’s powerful, and you want to engage with it to promote your book, but you don’t know how.

Look no further.

At its core, Pinterest is a virtual style-board – a place to collect and share images relating to your personal interests. At a basic level, people use Pinterest to post and share images and content linking back to an original source. Because there are millions of people using Pinterest, the potential to have your content shared is enormous, making it an effective means for book promotion.

How to Use Pinterest as an Author

The ultimate goal of a Pinterest account is to have people follow your boards and repin your pins, thereby promoting your book and you as an author. To encourage this, it’s important to have a strategy and stick to a plan. Though there are countless ways to use Pinterest; the following tips will help you establish a foundation for a promotion strategy that is adjustable yet effective:

Create Effective Boards

Boards are the cornerstone of Pinterest accounts. Having effective boards full of high-quality images that link back to your website are necessary to drive traffic to your website. Some boards to consider having as an author are:

• Character Boards – Create a board full of images relating to or associated with your characters. It can include images of the characters (or what they look like), items they’d use, things they’d enjoy, and so on.
• Photo of Places – Does your book take place in a distant land? Share photos of the landscape, monuments or significant places in your story.
• Inspirational Quotes/Writing Tips – These are some of the most frequently repined images on Pinterest.
• “My Books” Board – Not everyone who comes across your pins will recognize immediately that you’re an author. It’s important to have a board specifically for your books or published works.

Keep in mind how you label or tag an image. Make sure you’re accurately describing the image and using relevant hashtags or keyword terms.

Use Original Content

While it’s appropriate to repin the pins of others, and to pull images from different places online, the only way a person will be directed back to your website (other than through the link in your profile) is if they click on an image and are directed to your blog. Make sure when you pin your photo, illustration or stock image, it is pinned from your website.

Share Boards through Social Media

Now that you have your boards created and full of unique content linking back to your website, it’s time to share the images through social media. Tweeting direct links to new pins and updating your Facebook status with Pinterest updates ensures that your audience knows about and can access your Pinterest account through whichever medium serves them best.

Invite Audience Participation

Some of the best ways to get people to interact with your Pinterest account and book is by having them interact with your boards. Hosting a contest, having a give-away, or asking your readers for suggestions on boards (through your blog, Twitter and Facebook accounts) gives incentive for sharing and engaging with your book.

There is no one way to use Pinterest; the amount of success you have is directly related to how much effort you put into your boards. Play around and try things out. Have a sure-fire tip? Share it and let us know how you use Pinterest as an author.

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How to Write and Publish a Book

Read here to find out how to write and publish a book whether you’re 73 or 11 years old.

Do be realistic about your expectations. Writing should be a hobby. The prospect should be fun and not a chore. Being published is not all there is to realm of writing – enjoy what you’re doing!

Please also note that if you’re under 18, publishers tend not to bother with all the legal hassle. Since you are not of age to sign the contract, and need parental consent, this brings further problems, and publishers tend to avoid young authors for that reason. This being said, it’s still a good thing to try anyway. You just might make it.

 

Steps

Begin forming ideas and jot them down. Afterwards, select the ones you want. Some people choose to simply start to write with only one sentence in their head. Whichever way you do it, it’s fine, but the most common way is actually starting with an idea. You’ll find that after the first sentence, the ideas will pop into your head and it’ll flow. Just keep writing.

Don’t worry about errors; you can correct them later. You get the best stories by continuing on and not looking at the screen. If you keep looking at the screen, chances are you will want to change everything right away instead of continuing on with the story.

There should not be a limit on how much you can write a day, but create a minimum. It will help you focus on the story. Never stop; no matter how bad it seems, JUST KEEP GOING! This is the most important thing! If you have anyone around you that discourages you, shoo them away or ignore them. Better still, work in a quiet or empty place.

Once you finish your story, it should follow the guidelines which publishers Allen and Unwin follow:

• Junior fiction
  • For beginner readers, aged 5-8, word length 5,000-10,000
  • For confident readers, aged 7-10, word length 10,000-30,000
  • For middle readers, aged 11-14, word length 30,000-55,000
• Young adult novels
  • For teenage readers, aged 13-16, word length 40,000-60,000
  • For mature teenage and older readers, aged 15+, word length 40,000-100,000
• For a total list and for more information and writing and publishing, go to “Submission Guidelines” on the Allen and Unwin website.

Recheck and re-edit your story as many times as you need to. It can’t be stressed how much this is necessary. However, don’t keep editing if you don’t know what the problem is. Over-editing is possible and dangerous, so get others to check it. They can spot things better than the author him/herself.

Research different publishers. You may choose to self publish, but getting published by a big time publisher is better for getting a larger audience. Most publishers only choose to publish or even read solicited material – that is, manuscripts gone through an agent. Agents usually also choose to read only material that they are acquainted with – or the authors they know. Prices range. However, there are quite a few publishers that do publish unsolicited material, such as Penguin or Allen & Unwin.

Once you have decided on a few publishers (the more the better), start researching about them. Some choose to publish for adults only selected genres, but all information should be available on their websites. Some have different guidelines and word limits, or whether it need be solicited or not. Some also require a synopsis – a summary. However, almost all publishers require a hard copy (printed) version of your story. Also, keep in mind their specifications. Some publishers prefer double spaced lines, with a certain type of font in a certain size, etc. Stick to what they specify. Do not send emailed copies or ones on a disc, unless stated you may. Usually they don’t tend to return them, so keep your original with you.

Wait and wait. Send your copies to all available that you can. It may take up to four months or more, maybe, to get it edited. If you get it, well done! You get to see it in the stores! However, the publisher usually doesn’t advertise it for you.

Tips

• Publishers won’t advertise your book. That’s up to you, the author. They market it out, but they don’t advertise it except for maybe on their websites. Tell friends and family, and put fliers up around your city/town. Sometimes you may even get a local book store to advertise your book.
• Remember; regardless of your age, most publishers will still publish for you if your story is good! Be prepared to take criticism and use it wisely.
• Keep writing! While everyone has a different editing style, most people find it most helpful to write as much as they can while the ideas are fresh, and revise the story later.
• Stick to the plot. If you have another idea, jot it down, and try and see where you can wedge it in without leading the story into a completely different direction.
• Remember publisher/agent etiquette. Don’t submit to so many, especially if they specify not to. Patience is the key. After a month or two with no reply, then perhaps you can try others. Remember: unsolicited work generally is left until later and can take up to many months to get to.
• Toss “rules of writing” out the window. There are mechanics to the language: punctuation, general sentence structure, etc. However, never be tied down with what you read online when it concerns rules such as “never write in passive language,” to “avoid using said,” or to “never use adverbs.” Editing can always come after, anyway.
• Try numerous publishers. Some will take you, while some won’t.
• Always edit your own work before submitting it. No publishing company will accept your work if it’s full of spelling and grammatical errors or inconsistencies.

Warnings

• If meeting the publisher, make sure you actually show up on time and be yourself; don’t put on an act or be nervous. Sometimes publishers tend to already have decided and just want to go through protocol.
• Don’t fall into the trap of avoiding “said.” Many new writers tend to think that using the word “said” gives an overuse of the word. However, this isn’t the case. Take the following:
  • “Come on!” Joseph cried. He ran around the garden excitedly.
  • “Yes or no?” Mother inquired as she walked down the stairs to him.
• In both cases the words “cried” and “inquired” are used. However, the rest of the dialogue already gives the reader the idea that Joseph is excited and Mother is relaxed. You don’t have to have words like “inquired,” “quoted,” “denied,” or “stated.” “Said” is perfectly fine and is shorter. It lets the reader form the image themselves without having you butt in and pave the way for them.

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Is there money in ebooks? [infographic]

Now Novel is a fantastic site committed to help authors go through the process of writing and publishing a book. Their team has just created a very interesting infographic every aspiring writer should take a look at.

Asking a question “Is there money in ebooks”, the chart shows a fantastic growth of ebook market – from 1% in 2008 to 30% in 2012 with a prediction of 50% in three years from now (figures for US market).

The most interesting part, however, is showing the revenue split between author, publisher, and agent. If you want your book to be published the traditional way (and of course if you will be lucky enough to get a publisher), you will receive roughly 12% of the pie. Getting into digital publishing shifts proportions – you, the author, are the one to get most of the revenue.

So, on one side there is a traditional publisher, who gets 80%. On the others side we see self-publishing platforms like Smashwords or Scribd, where author gets (at least) 80%.

But money comes not only from the revenue split. Ebook market is growing not only in the US. By publishing your book on Amazon or Kobo or Smashwords you are making it available for any English-speaking reader in the entire world!

And remember, you don’t (and in fact you should not) do everything by yourself. Self-publishing is not about writing publishing, and marketing a book the DIY way. Not any more. Digital publishing gives the author the steering wheel – a power to decide which experts to hire to make sure the new novel will have most chances to succeed.

Now Novel

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Self-published books becoming best sellers

Self-publishing allows writers to use ingenuity and self-promotion to be discovered by readers

There is a sea change underway in how some authors are published. Self-published books have made their way onto best-seller lists and the distribution model is attracting more established authors, the New York Times reports.

The Times article overviews how big publishing houses including Penguin and Harlequin are now operating divisions focusing on writers that are willing to forego an advance in exchange for a greater share of the overall profits. More than 250,000 self-published books are now produced annually, and while many may never be well read (or read at all), a quarter of the most popular titles sold on Amazon were self-published.

“While self-published authors get no advance, they typically receive 70 percent of sales. A standard contract with a traditional house gives an author an advance, and only pays royalties – the standard is 25 percent of digital sales and 7 to 12 percent of the list price for bound books – after the advance is earned back in sales,” the Times article noted. Romance and science fiction topped the charts, according to the report.

Another avenue of opportunity is using self-publishing to distribute backlisted books that have gone out of print. A 2011 Forbes article cited authors making greater royalties off of out of circulation titles than when they were in print. But many services are geared toward novices. A quick Web search turns up a bevy of sites dedicated to the practice including independent publishers. There are also guides to self-publishing and services to assist writers that aspire to make their first bestseller or just have their voices heard.

There might be some gimmickry, but it makes perfect sense to use the Internet to disrupt how books are distributed.  The model at least provides another option that casts off reliance on publishing houses’ marketing promises, agents, and other middlemen that reduce payback for what could be years of work. Maybe publishers will innovate their own services in response.

(image credit: stagecompany.org)

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